I guess that I feel for 'newzshooter' and 'photographer' a lot more that I feel for the big stock image companies. It would appear to me that they're more like 'victims'.
I also sense that their situations are somewhat different than those of the large companies, but I appreciate the perspectives that they have expressed here.
Indeed. In many of the cases of people I contact, they too are 'victims'. They have been hung out to dry by their web supplier or web company but as they are the publisher they are ultimately responsible. It is up to them to sue their web supplier or the web suppliers insurer. Of course this is also bittersweet for me as an ex-girlfriend of mine spent years training to be a web designer back in the days of hard coded sites only to be put out of business by those doing things on the cheap. Ask any legitimate web design company about the pressures on them by being undercut by those who lift sites and photos off google. Previously this has been almost impossible to detect but with the new google image search its instant.
In the past I have had to rely on picscout and tineye but now Getty has bought picscout expect it to be coming from everywhere.
Copyright infringement is not "theft". If you phone the police about a "stolen" image, they won't come; it's not part of any criminal statute.
For now
Its currently being discussed in the EU to put it on the statute and white papers on amendments to Berne have suggested making it either a global or country agency issue. In other words the good old government will recover damages through fines and will remunerate creators accordingly.
Furthermore, if you get your stereo stolen, you lose the use of it, and you lose the value of the item. If an image is infringed upon, you don't lose the image, or the use of it. You may have lost the income that you would have had if the infringer had purchased it. But, that assumes that the infringer would have purchased it, which is speculative.
Thats quite a simplistic view of it, as I gave in my examples above there are many other issues involved which can add to the damages. For instance I am negotiating for exclusive use of an image but first the purchaser wants to make sure that all the ripped off versions on the web have been removed. I dare say if that fee was in jeopardy the infringer would soon know about it. It also depends a lot on whether the stolen image was stolen wilfully, in other words if the person knew it was someone elses IP and removed all of those details. This can be difficuly on those who have stolen a stolen image if you know what I mean. Its hard to disprove the wilful aspect as the details have gone.
'photographer', you spoke of issuing proceedings, which I take to mean "court proceedings". My opinion is that the moral 'high ground' is sending a simple cease and desist letter. It works the vast majority of the time.
Indeed, Id never go after a blogger for 9k, thats just ridiculous. However as I mentioned above there are cases where this has lead to loss of revenue beyond the basic image licence fee and thats when I really press the issue.
Threatening a lawsuit or going through with a lawsuit in order to generate monies is a method of using infringements as a revenue stream. There's nothing wrong with that so long as you own the images, have done the paperwork, and are asking a fair price. But, less people will feel sorry for your plight and others like you in such a case.
There are two issues there, one is the ambulance chasing, downright bad news and the other is that it will tar people with the same brush who have legitimate complaints. Similar to those infringers who dont know any better as opposed to those doing it for commercial gain. Theres a whole range of issues and as you say photographers feel less sorry for those infringers who are as much a victim as we are. Indeed this site has been invaluable for some of my colleagues for providing them with contact details for lawyers who will take their case on. It works both ways.
I don't think that the vast majority of infringers are crooks or evil. The culture of the Internet up until very recently has been a free-for-all. It's the fault of infringers for sure, but it's even more the fault of artists/photographers who didn't consider protecting and policing their content until they realized that they could make money from legal threats. So, now we're left with quite a mess. Prior to this, most people had only heard of IP disputes over major brands or patents.
Whilst I agree not all infringers are crooks or evil, I disagree that its somehow our fault. I have always made sure my images are marked with my ownership, indeed all images carry the camera serial number and owner so its embedded the minute we press the shutter. I also dont accept that that most people assume things are free, they must belong to someone somewhere (Ive been using the web since 91 and was always told to be careful of copyright issues, even before the net was invented).
Funnily enough I didnt realise I could make money from legal threats until I came across this site. I thought I would just have to go to court and so I just filed without even entering negotiations. Now I feel there is an opportunity to enter into negotiations before
Large stock image companies are doing a huge disservice to photographers/artists like you.
Tell me about it, I have no love of Getty, Ive been badly treated by them for years, Getty is only out to protect one thing, Getty. This is what this is all about. If they dont stamp down on infringers and stamp down hard then they will lose their business too.
Just a bit of background info, my Getty contracts state that as copyright holder I authorize them to act on my behalf. When it comes to court I just sign an affidavit that I am the copyright owner (which is then verified) and I have instructed them to act on my behalf (just as you would any other lawyer). I have spoken to Gettys legal department many times and trust me, I would hate to be on the receiving end.
They wish to systematically weaken the copyright protections rather than strengthen them. They wish to make the system of bulk registrations acceptable as proof of copyright.
Actually blame the USA for that. They did not implement Berne completely and hung on to the legacy which requires registration, everywhere else in the world that isnt involved so it is a lot of hoops to go through in the US courts.
However, the concept of bulk registrations actually weakens the concept of copyright protection for everyone.
I dont understand? As far as I was aware only the copyright holder can register an image. In a lot of cases the likes of Getty and Masterfile do have in house teams producing the images and so own the copyright. They can register what they want.
If a company can say, "it's our image, and it's in there somewhere... just take our word for it", then how is that a proof of copyright?
Its not. Thats the problem with the US registration system. You only sign a form to say you are the copyright holder. Theres nothing to stop me registering someone elses images. Hence why the US system is redundant and no other country does it. Everywhere else you just include the original in the court papers. Simple - it is what we have to do when we go to court anyway and by the time it does that Getty etc already have their affidavit witnessed by a local lawyer, proving copyright.
The image might be in the collection, or it could be a scam (it's not in there). Maybe it's in there, but it's your image, or even mine. Therefore, a person or company could claim whatever they/it wanted, and that would be proof enough. That would be fine if everyone was honest, but not everyone is. In the end everyone's copyright's are weakened, as standing would be based on taking someone's word for it, and that's not simply not enough proof in this day and age.
Indeed, which is why the likes of Getty store the original file and have it on record with all the details embedded and they check this all out before sending the first letter. I cant say for Masterfile as I know nothing about them. When I send out infringements, I send out a copy of the infringing image, the context and a proof of my original file. Thats all the recipients lawyer needs to know so we can cut to the chase.
In any case, we're going to see something big happen soon. Getty might go to court over a big case involving several images.
They have outside the US and won every time. One business in the UK I think it was decided to call their bluff on a 1500 GBP demand. They settled on the morning of the case for 27k GBP. Thats over 43 thousand dollars!
Or, several Masterfile victims may get together and file suit. Masterfile in particular may be vulnerable here. They have a policy of sending people threatening letters, making threatening phone calls, sending 'draft' lawsuits (this is illegal for collection agencies to do in some places by the way), sent cases to collection agencies over non-existent debts, filed papers with the courts and then backed out at the last minute when they realized that the defendant was going to fight.
Again I cant comment as Im not involved with Masterfile but either way I want to see a resolution of this particular matter as it will stop all the ambulance chasers and let people know that creators with legitmate concerns address them.
Even a small number of people who have experienced the above could get together, and Masterfile had better hope that they own the copyrights. Demand letter recipients have been contacting the actual photographers about alleged Masterfile infringements, and some of these photographers are saying in writing that they still hold the copyrights.
As I said above I dont know about Masterfile but my Getty contracts allow them to act on my behalf as copyright holder. Getty also get an affidavit regarding copyright before any court case. I cant persue any claim regarding my images lodged with Getty (as per the contract) and can only take this on if they are not willing (which is never in my experience).
Getty is often especially weak on copyright standing, so they're a target too.
Again not in my experience. They often have things tied up incredibly tight. Ive had them reject model releases that the signature was smudged, date written in different order (signed by europeans) etc etc. In submitting images I have to be careful I dont infringe anyones copyright with the images or in the case of editorial images, clearly submit them as such. Even if I did submit a non-editorial image with copyright infringment, it would never get through and I would be on the receiving end of a phone call!
S.G.
Can I just say thanks for continuing the debate in a rational way as it helps to put a different view across and perhaps gives some insight as to the legal requirements for the other side. As I said above I can only give details on my experience with my own images and some experience with my images with Getty. I have no experience of Masterfile.