DMLA is a trade association promoting the interests of digital images corporations, including Getty and Alamy, apparently. From its About page:
DMLA made a statement on the Highsmith v Getty/LCS/Alamy lawsuit:
http://blog.digitalmedialicensing.org/?p=3444
Their statement essentially argues that Carol Highsmith gave up copyright into the images, and thus stock image libraries are entitled to reproduce, distribute, sell them, and call that a purported "license".
I take below parts of that statement. I note first that Nancy Wolff, DMLA counsel, says Highsmith's photos are in the public domain. On the contrary, Carol in her complaint says that the photos are not in the public domain, but she retained copyright and offered the public the rights to free reproduction and display. But lets see about public domain.
CAN ANYONE USE PUBLIC DOMAIN IMAGES?
by Nancy Wolff, DMLA Counsel
Answer: YES, there are no restrictions on any use of public domain images, including making them available to users for a fee.
That's correct, for public domain images. The fee is not for a purported license, though. If there's no copyright, there are no copyright rights to license.
The purpose of limits on copyright is that the public domain benefits the public and serves the public good. Once a work is in the public domain, anyone can make a productive use of it, including commercializing the work. This applies to all works that can be under copyright, such as images, books and music. You can still buy a book of Shakespeare’s plays published by numerous publishers. Or you can go to the library and painstakingly photocopy each page. You have a choice. The same is true with images.
This is correct, for public domain images.
Many DMLA members specialize in or include archival material in their image collections and make theses images available to publishers and other users and charge a fee. There is nothing improper or illegal about that. These archives or the collectors have made substantial investments in scanning, enhancing, keywording and making their copy of the public domain work easily searchable and usable. So a publisher can find a copy of an image from another source, but it may be low quality, it may only be in print form and it may not be easy to locate and use. With tight publishing deadlines, having a source of an image that is readily available and searchable adds value and is a benefit to users.
Except this is not the case here. As far as anyone can see, the Library of Congress appears to have made investments in digitizing images, and published them on its website. I've looked up an example from the complaint, and Getty and Alamy's copies are plain copies of the files on the Library website.
For example, this mentions that work:
Nor is it improper to call the fee charged to use a public domain image a “license” A license merely means permission to use “my copy”. You can have a license that applies to the access and use of a copy, or it can apply to any sort of IP license such as copyright, trademark or patent. But the term only refers to permission and it is not limited to an IP right. So archives and image libraries that have some historical out of copyright works can license those works to a user for a specific purpose because those are the contract terms a user agrees to.
It *IS* improper to call it a license, because a license on Getty's website means a copyright license, and suddenly calling it the same thing surely misleads people into thinking it is necessary.
A license almost never means permission to "use my copy", as Nancy Wollf says. In fact, I don't think I've ever seen it named that, in about seven years. Even if it was, we're not talking here about a physical paper-printed photo kept under glass in a museum. We're not talking about "my copy" to which I give you access. We're talking about 18,000+ plain copies of digital files copied from files already made public by the Library website.
In fact, while Carol's photos seem to have been taken down by Getty, everyone can see right now photos which are indeed in the public domain:
http://www.gettyimages.com/event/new-images-from-contributor-buyenlarge-139643028#amarillo-texas-general-view-1943-picture-id139233453
The same "Buyenlarge" contributor whose name was plastered over some of the Carol's photos. I clicked on "License", and I got:
http://www.gettyimages.com/license/139233453
License type: Rights-Managed.
Clicked on the Info "?" sign near Rights-Managed, and it said:
What "rights" are granted, again, for a public domain digital image? I'm sure Nancy Wolff would know, since according to her, "license" is not about "IP Rights".
This whole page is just wrong. There are no restrictions on usage, if the photo is public domain, nor limitations on size, placement, duration or geographic distribution.
Click on "Rights Managed", and I get this page:
http://www.gettyimages.com/Corporate/LicenseAgreements.aspx#RM
I can't even begin to count how many things are wrong with that page, for a public domain image. I pick one: citation. The page claims that the user must cite the archive as "[name of photographer] / [Collection Name] / Getty Images". Otherwise, he/she will be charged 100% fee in addition to other remedies Getty would allegedly have. The irony.
TL;DR: on Nancy Wolff's claim that you can call it a license, I don't believe that's okay, because it's confusing from the mere fact that we're talking big stock photo websites with a lot of copyrighted images. The user is sure to be mislead by naming it "license" on public domain works, they will understand it's copyrighted. But that's nothing compared to what really happens in this case, when Getty's website leads the user looking at the license to the pages about IP rights they do actually not have.
Quote
Working to insure the future of our industry
For over 60 year the Digital Media Licensing Association (DMLA), formerly known as PACA, has developed business standards, promoted ethical business practices and actively advocated copyright protection on behalf of its members. In this era of continuous change, we have remained an active community where vital information is shared and common interests are explored.
DMLA made a statement on the Highsmith v Getty/LCS/Alamy lawsuit:
http://blog.digitalmedialicensing.org/?p=3444
Their statement essentially argues that Carol Highsmith gave up copyright into the images, and thus stock image libraries are entitled to reproduce, distribute, sell them, and call that a purported "license".
I take below parts of that statement. I note first that Nancy Wolff, DMLA counsel, says Highsmith's photos are in the public domain. On the contrary, Carol in her complaint says that the photos are not in the public domain, but she retained copyright and offered the public the rights to free reproduction and display. But lets see about public domain.
CAN ANYONE USE PUBLIC DOMAIN IMAGES?
by Nancy Wolff, DMLA Counsel
Answer: YES, there are no restrictions on any use of public domain images, including making them available to users for a fee.
That's correct, for public domain images. The fee is not for a purported license, though. If there's no copyright, there are no copyright rights to license.
The purpose of limits on copyright is that the public domain benefits the public and serves the public good. Once a work is in the public domain, anyone can make a productive use of it, including commercializing the work. This applies to all works that can be under copyright, such as images, books and music. You can still buy a book of Shakespeare’s plays published by numerous publishers. Or you can go to the library and painstakingly photocopy each page. You have a choice. The same is true with images.
This is correct, for public domain images.
Many DMLA members specialize in or include archival material in their image collections and make theses images available to publishers and other users and charge a fee. There is nothing improper or illegal about that. These archives or the collectors have made substantial investments in scanning, enhancing, keywording and making their copy of the public domain work easily searchable and usable. So a publisher can find a copy of an image from another source, but it may be low quality, it may only be in print form and it may not be easy to locate and use. With tight publishing deadlines, having a source of an image that is readily available and searchable adds value and is a benefit to users.
Except this is not the case here. As far as anyone can see, the Library of Congress appears to have made investments in digitizing images, and published them on its website. I've looked up an example from the complaint, and Getty and Alamy's copies are plain copies of the files on the Library website.
For example, this mentions that work:
Quote
They [Carol Highsmith and C. Ford Petross from Library of Congress]immediately started working together to raise the funds that were needed to produce hard copies of Highsmith’s negatives.I don't know what involvement in the work had Getty Images or Alamy - is this the work and investment they were doing? Moreover, first photos were on old negatives, but most photos in Highsmith collection were born digital.
Nor is it improper to call the fee charged to use a public domain image a “license” A license merely means permission to use “my copy”. You can have a license that applies to the access and use of a copy, or it can apply to any sort of IP license such as copyright, trademark or patent. But the term only refers to permission and it is not limited to an IP right. So archives and image libraries that have some historical out of copyright works can license those works to a user for a specific purpose because those are the contract terms a user agrees to.
It *IS* improper to call it a license, because a license on Getty's website means a copyright license, and suddenly calling it the same thing surely misleads people into thinking it is necessary.
A license almost never means permission to "use my copy", as Nancy Wollf says. In fact, I don't think I've ever seen it named that, in about seven years. Even if it was, we're not talking here about a physical paper-printed photo kept under glass in a museum. We're not talking about "my copy" to which I give you access. We're talking about 18,000+ plain copies of digital files copied from files already made public by the Library website.
In fact, while Carol's photos seem to have been taken down by Getty, everyone can see right now photos which are indeed in the public domain:
http://www.gettyimages.com/event/new-images-from-contributor-buyenlarge-139643028#amarillo-texas-general-view-1943-picture-id139233453
The same "Buyenlarge" contributor whose name was plastered over some of the Carol's photos. I clicked on "License", and I got:
http://www.gettyimages.com/license/139233453
License type: Rights-Managed.
Clicked on the Info "?" sign near Rights-Managed, and it said:
Quote
Rights-managed products are licensed with restrictions on usage, such as limitations on size, placement, duration of use and geographic distribution. You will be asked to submit information concerning your intended use of the product, which will determine the scope of usage rights granted.
What "rights" are granted, again, for a public domain digital image? I'm sure Nancy Wolff would know, since according to her, "license" is not about "IP Rights".
This whole page is just wrong. There are no restrictions on usage, if the photo is public domain, nor limitations on size, placement, duration or geographic distribution.
Click on "Rights Managed", and I get this page:
http://www.gettyimages.com/Corporate/LicenseAgreements.aspx#RM
I can't even begin to count how many things are wrong with that page, for a public domain image. I pick one: citation. The page claims that the user must cite the archive as "[name of photographer] / [Collection Name] / Getty Images". Otherwise, he/she will be charged 100% fee in addition to other remedies Getty would allegedly have. The irony.
TL;DR: on Nancy Wolff's claim that you can call it a license, I don't believe that's okay, because it's confusing from the mere fact that we're talking big stock photo websites with a lot of copyrighted images. The user is sure to be mislead by naming it "license" on public domain works, they will understand it's copyrighted. But that's nothing compared to what really happens in this case, when Getty's website leads the user looking at the license to the pages about IP rights they do actually not have.