First, I have to wonder, is it wise, on a public forum, to call someone a crook? Might be better to say that, ‘in your opinion they are crooks’? I am not a lawyer, that’s just my opinion.
As you know, I’m a photographer and copyright holder. My aim in being on this forum is to reduce the time and cost to both sides spent on copyright infringement cases. I’ve learned quite a lot from the forum and intend my own inputs to help identify the issues which really are reliable facts, so we know how to proceed.
I, too, find Getty’s approach unnecessarily aggressive and cannot see how it benefits them in the long run. We individual photographers don’t take that approach.
Coming back to facts, it is essential to establish what has happened and what the law says about it. Many issues can be discussed here but reliable input is required from qualified experienced IP attorneys which is why I have asked Oscar Michelin to respond to my earlier post about the need for there to be a single copyright holder. He has given his view once but, having read the section of law he referred to, I don’t see that it supports his view. It’s an important issue which affects many cases and I would like to understand his reasoning. Once it’s been clarified, we would all know whether, having a photo available from more than one source, removes a right to sue or not. In the UK there’s no doubt at all that a photographer can have a photo with more than one library and any of those libraries can sue (there’s only one copyright holder but more than one library with the right to pursue cases on behalf of that copyright holder). So, we’re trying to clarify the position only in the US.
If a picture user receives a letter from a copyright holder (or agent, like Getty), it is best to do some research and establish if they did use the photo in the way claimed. If so, did they have a valid licence to do so. If they have a valid licence, end of problem, as far as I can see. If they haven’t, the cheapest route would be to negotiate a quick settlement in exchange for a discount.
What do we photographers get out of these settlements? It varies but the law in the UK allows only that we are put back in the position we would have been in had the picture user requested permission and paid at the right time. Yes, there may be uplifts allowed, either through the photographer’s own T&Cs or at the discretion of the court. On balance, the vast majority of settlements take so long and soak up so much time, the photographer would be lucky to break even. Big libraries can afford to engage lawyers. We individual photographers can’t and take advice from them only on a readily available pro-bono basis.
Why do we individual photographers pursue cases where we’d be better off ignoring them? Because picture users (mostly professional large scale ones) seemed to have decided it was to their advantage to just go ahead and use photos without asking or paying, knowing/expecting that, if caught, all they’d have to pay would be the fee they would have paid in the beginning. It was a win/win position for them. We had a choice: either, give up and go fishing or fight back. Having fought back for 4 years, we see a reduction in the cases and presume there is now a much better understanding of copyright, the law and the possible consequencies of behaving unlawfully.
‘philpotts99’ said:
‘I look forward to the day when someone with time and money takes them down …’
There’s no need really. If the picture user can establish that Getty have a valid case, then negotiate a settlement. Why not? If the picture user can show there has been no infringement, send the documents to Getty. They might huff and puff but it is most unlikely they would start legal proceedings without a firm basis. It would be a complete waste of their time and money and the court would throw it out early on.
John Walmsley